Sept 23

Robert Bean

Robert Bean is an artist, writer, curator and retired NSCAD University Professor living in Kjipuktuk, Halifax. Bean has edited books and published articles on the subject of photography, contemporary art and cultural history. He has been an active contributor to the Cineflux Research Group at NSCAD University and the Narratives in Space and Time art and mobility project.

Utilizing public archives and collections, Bean considers the temporal uncertainty that photographs and digital media evoke in relation to experience, technology and language.

Robert Bean’s work is in public and private collections, including the National Gallery of Canada, the Canada Council Art Bank, the Art Gallery of Nova Scotia, ZKM (Zentrum für Kunst und Medientechnologie) Karlsruhe, Germany and the Donovan Collection, University of St. Michael’s College Toronto, Ontario and Global Affairs Canada Visual Art Collection (ARBZ).

Silenzio

Artist Project

The sound work Silenzio presents the aural space of the Sistine Chapel as the murmur of voices and a desire for speech. The work foregrounds the acoustic experience of a site historically associated with the visual authority of Renaissance frescos.

Silenzio is a souvenir of polyphony, the story of Babel and the search for authenticity implied by art and tourism. The disciplinary silencing of dialogue generated by tourists and pilgrims converges with the pious culpability associated with asking forgiveness.

Lumière Arts Festival 2026 // Metamorphosis

Lumière invites artists to explore transformations, growth, and renewal —across beings, identities, societies, and materials – through the lens of artistic expression. In the chrysalis phase, change is unseen, mysterious, and full of possibilities. Artists are invited to create/present works that examine shifts in personal identity, explore adaptation or environmental cycles and the transformation of objects and materials, highlighting not just beginnings or endings, but the unfolding of the process itself.

The Metamorphosis theme delves into the ongoing process of transformation from one life stage to another. Like renewal processes in nature, change unfolds in phases, some visible, and some hidden. How do we hold space for the unknown phases in between growth and reemergence? How do we honour the process of becoming?

In response to an ever changing world, the festival offers a space to reflect on how we adapt, change, and evolve. The festival is a space for collective transformation and activation of unconventional spaces into interactive and imaginative art installations.

Lumière asks: How does art mirror transformations? What guides us forward through unknown processes of becoming? In the glow of shared experience, we celebrate the beauty of metamorphosis, the mystery of the chrysalis, and the endless possibilities of becoming.

Land Acknowledgement

Lumière Arts Festival, on behalf of the board, the artists, and the communities we represent, acknowledges that we work, live and play in the ancestral and unceded territory of the Mi’kmaq people, in Unama’ki Cape Breton, who have stewarded these lands since time immemorial.

We are grateful not only for the strong and ongoing stewardship of these lands we call home, but also for the stories, music, and art that Mi’kmaq people continue to create and share, carrying ancestral voices, sacred teachings, and legacies of interconnectedness and resilience forward into the present and on to the future.

We aspire to reflect that sense of connection between past and present in our festival. We are inspired by L’nu artists to foster connection and self-reflection in our work. We will work to ensure that art is accessible, inclusive, and integrated into public spaces so that we can share our collective stories, recognizing the challenges of our past and imagining brighter futures.

We are all Treaty people.